Showing posts with label detective. Show all posts
Showing posts with label detective. Show all posts

Thursday, June 14, 2012

Proudly Presenting ~ "NOVEMBER, 1955" by Leon Jackson Davenport . . . back AT THE BIJOU for "THE SHADOWS OF OUR NOIR"



By Leon Jackson Davenport


She was beautiful. Tall and slender with dark-brown eyes, (the kind in which one can lose his soul); her light skin was perfect, her smile mesmerizing, and her taste in clothes impeccable. She was the kind of woman, we all dream of attracting, one that will be the envy of both genders; the women want to be like her, and men need her to love us.

It was November 1955, and I was still basking in the glow of the Dodger’s victory over the Yankees in the World Series. It was made even sweeter because the Dodgers did it with so many Negro players: Joe Black, Don Newcombe, Roy Campanella, Jim Gilliam, Sandy Amoros and the man, Jackie Robinson all played pivotal parts in helping the beloved team from Brooklyn win.

I was drinking Jack Daniels, in a little bar near my office, which I frequent, just to be sociable, and to keep up on what’s happening in the neighborhood. The combination of good reliable information, a quick right hand and a ready smile usually gets me what I want, I’m not bragging just laying out the facts.

She walked over to me, gliding as every eye in the place watched her.

“Mr. Gunn? Mr. Jacob Gunn?”

“Yeah, I’m Gunn. What can I do for you, Miss, ah?”

“Jones, Amanda Jones.”

“What can I do for you Miss Jones?”

“I’d like to talk to you in private Mr. Gunn. Can we move to that booth over there in the back?”

“You’re new here aren’t you?” I said smiling. “That booth belongs to Tommy Brown. He runs the numbers in this neighborhood. Nobody sits in Tommy’s booth, not even me. Lets go over there,” I say pointing to a booth next to Tommy’s, a little closer to the back door.

“It is quiet, and we can talk.” She led the way, and every head in the bar turned to watch.

She told me about her predicament: a former boyfriend was threatening her, and she was scared. All she wanted was to be left alone, and she asked if could I pay him a visit and convince him that the best course of action, for him, was to move on. She made it very plain, that it was all right with her, if he was slapped around a little in the process; after all, he slapped her around, more than a few times, over the three years they were together. I asked if she had a current boyfriend, and her answer was vague. I figured she did and he must have been white and married. He couldn’t get his hands dirty, or he didn’t know about the old boyfriend; however, the old boyfriend knew about the brand-new boyfriend, and he was threatening to louse up her new life. I told her that I’d talk to him. She slid an envelope across the table. In the envelope were three $50 bills and a card with a name and address along with a picture of the gentleman in question. She said there would be another couple of hundred in it for me when I completed the job. I told her I’d have something to tell her in a couple of days. She gave me her thanks, a smile and then disappeared into the night.
~ ~ * ~ ~

The next morning I went to the address on the card. It was a prewar apartment building with black-and-white tiles in the lobby, high ceilings, ornate moldings, and grand archways; it was a beautiful building. I wondered if they had any vacancies, I would have liked to live there. Then I thought about the business I was about, and I decided it was only a pipe dream; I was going to kick the snot out of one of my perspective neighbors, not a good way to introduce yourself.

It was an elevator building without a doorman or front desk, so, once I got someone to buzz me in; I could go right up. I had a photo of the target, and as I walked by, a guy resembling my client’s former boyfriend came walking out the front door. He had a lunchbox and was wearing coveralls with his name on one side and “Quality Auto Repair” on the other.

While he was gone, I decided to go upstairs and make myself at home. The guy I wanted, lived on the third floor near the back. The front door was locked, but I knew from experience, with a little patience someone will let you in. It could be a teacher going off to work; or a factory worker dragging in after third shift; a kid off to school or a mom off to buy groceries. Sometimes it would take a nice smile and nod of the head, but someone will always let you in.

Today it was the teacher; she eyed me up and down, noticing how sharply I was dressed. I wore a fedora; brim pulled low; neatly pressed tan pants with a white dress shirt, light starch and a blue blazer with gold buttons and my shoes shone to a high gloss. I smiled; that confident, friendly, useful smile that has gotten me out of more scrapes than I could count.

“Thank-you ma’am.”

“That’s miss.”

“Oh, thank-you miss.”

“Gloria, Gloria Powell, from 4C. Are you new to the building?”

“I’m thinking of moving in. Do you know of any vacancies, Miss Gloria?”

“I think 2D is moving. But check with the super and don’t let him swindle you, he sometime tries to add $10 or $15 to the rent for new people.”

“Why, thank-you Miss Gloria, with that information, I’ll be ready for him.”

“Hope you get that apartment.”

“Me, too. Thank-you Miss Gloria, have a nice day.”

“Good-bye Mr.?”

“Gunn, Jacob Gunn.”

“Good-bye Mr. Gunn.”

I offer my hand, and she takes it.

“Please, Miss Gloria, call me Jacob.”

“All right, good-bye Jacob,” she pulls her hand away teasing my fingers. I hold open the door and watch her walk down the street and around the corner; she didn’t look back, but you could tell she knew I was watching.

I walked up to the third floor and tried the lock; it was open, amazing in this day an age, that people still left their front doors open. I looked around the apartment. Mr. Little lived simply; a small black-and-white TV was on a table in the corner, and the radio on the kitchen counter was tuned to a jazz station. The living room was furnished with a couch, and an easy chair placed in front of the TV; a cheap turquoise dinette for two was next to the counter separating the kitchen from the living room, no pictures, not of him, my client or his parents, he’s a loner or maybe an orphan. In the single bedroom, he had made his bed; he was most likely a military man, judging from the Spartan furnishings and the shoes shined and placed neatly in the closet; one, no two nice suits, they looked tailor made, no women’s clothes, no clothes that didn’t belong to him. He was a big guy 52 long; most of the clothes came from Macy’s, there was one suit with a fancy Italian label probably a gift, but from whom? The client dropped a hundred and fifty beans without batting an eye. Maybe she gave it to him; she was the kind of woman who would want her man to look good if she was going to be on his arm.

I found his checkbook and savings passbook; he has a balance of $318.76, really $328.76 in the checking, (he forgot to carry the one) and $1521 in savings. That seems like a lot of money for a mechanic, he could be saving for a car, he could almost buy a new Chevy, or Ford, but if he wanted a Pontiac, he was a few hundred short. I wondered if he earned it the old-fashioned way, or if it was a payoff to keep silent.

Well, I got the lay of the land, and it was time to go; I put everything back the way I found it, because I was going to come back tonight and have a talk with Mr. William Little. I checked the hallway; no one was around, and as I closed the door, I thought “Mr. Little it has been a pleasure getting to know you.”

~ ~ * ~ ~

He left for work around 8 am. So, I figured a half-hour on the subway, arriving at work about 8:30 am; eight hours working; a half-hour for lunch means he’d clock out at 5 pm; another half-hour on the subway home, arriving around 5:30 pm; add another hour to clean up and eat he should be ready for our little chat around 6:30 pm tonight.

I came back around 6 pm just in time to see him leaving. I admit I was curious how Mr. Little spent his evenings, so I followed him. He stopped at a payphone and made a call. It was a local call because he only put in one nickel. I was too far away to hear to whom he was talking or what was said, but I could see that he was very upset. A minute or two into the call he began to strike the side of the telephone, over and over, harder and harder, faster and faster; like he was beating out a message, suddenly he shouts something into the telephone and violently hangs up.

“I bet I know where he is headed next,” I say out loud.

The name of the bar was Kate’s, it was a nice neighborhood bar that served food, which looked and smelled good; it had my favorite beer on tap, Schlitz, and if you were of a different mind, Budweiser and Miller High Life. The prices were reasonable, Kate was friendly, and the other patrons were into minding their own business.

I took a seat near the back, ordered pastrami on rye and a beer, and watched Mr. Little drown his sorrows.

It seemed that Mr. Little preferred Budweiser, which was the only thing I found, so far, that wasn’t likeable, well, except that he likes to slap dames around. I couldn’t do much about the former but the latter I was going to address later tonight.

I finished my sandwich and left a healthy tip for Kate; and then I went to Mr. Little’s apartment and waited for him to return. Again, he left the door open, and I slipped inside. I sat in the living room chair with the lights off thinking I’d surprise him; he was a big guy and even after a few drinks, he could be hard to handle.

By the time he got home, he was tight, not drunk, but you could tell he was feeling it. Fumbling with the door, he managed to get it closed and was feeling around for the light switch when I spoke.

“Mr. Little?”

Startled he hit the light switch and spun around.

“Who are you and why the fuck are you in my living room?”

“Mr. Little I have been asked by a young woman, Miss Amanda Jones, that I believe you know, to ask you to stop bothering her. She feels that your time together, while somewhat amusing, is over and the smart thing to do would be to have no further contact with her.”

“What business is it of yours? That is between me and Amanda.”

“I was asked, by Miss Jones, to deliver this message to you.”

“Right, like I give a good God damn.”

“Mr. Little, you should give a damn. I’m here to deliver the message; and come to an equitable accommodation; so, I can overlook your unfortunate outburst, but understand I will protect my client's interest, vigorously.”

“Okay, what’ll she pay?”

“I’m not authorized to discuss that with you.”

“Then why am I wasting my time talking to you? It is like I told her on the phone tonight, she gives me what I want or I’ll tell her fine, married, white boy, not only she isn’t white but (here is the cherry on top): I was there first; big, black, me. I’d bet that little cracker will run for the hills or back to his wife’s bed, if she’ll have him, and Amanda will be left out in the cold.”

“Mr. Little, I‘m here to see that doesn’t happen.”

“Who’s going to stop me? You?"

”Yes.”

He was three inches taller and 35 or so pounds heaver and well muscled. I was a star football player in college, starting at fullback and linebacker, and I was the place kicker too. I never did mind a little scrap; I enjoyed it occasionally; it felt good besting another man with fist, knife, or gun, it didn’t matter to me.

Mr. Little charged me; I stood up and relied on a skill learned on the gridiron. I gave him my 35-yard field goal kick, right in the balls, which dropped him to his knees. A quick left, left, right, and he was done, curled up on the floor holding his nuts and trying to regain feeling in his face.

I sat back down in the chair and waited until he could talk. After a while, he spoke.

“You son-of-a-bitch! I’m going to rip your balls off.”

“Really? That was my 35-yard place kick; you know I made field goals from 40 and 45 yards, too. Would you like me to demonstrate? I usually don’t like to kick a guy in the nuts, (there is something unmanly about it), but for a guy who likes to slap dames around, I will make an exception. So, Mr. Little are you going to leave my client alone?”

“No way! She tossed me aside. I was saving up for a ring. We could have been happy, next month I start with the Transit Authority, that is a real good job; it pays well, and we would have had a good life. I just don’t understand, why wasn’t that good enough, why wasn’t I good enough?”

“Get off the floor, Mr. Little and sit over there,” I say pointing to the couch, he groans, rises and sits gingerly on the couch.

“You got a hell of a kick mister. I guess this is where you tell me that if I don’t stop you will come back and show me that 40-yard kick, huh?”

I nod.

“You won’t have to come back, I got the message. Mister, would you give her a message?”

“What is it?”

“If it don’t work out for her, she can come back. Tell her, I‘m sorry I hit her and it won’t happen again. You are right; I was listening to a man on the corner from the Nation who said, “If you berate and beat your women you damage yourself,” he was right. Tell her mister, please.”

“Alright Mr. Little, good-bye.”

As I closed the door, I looked back, at the broken man sitting with his head in his hands. Like I said before, she was the kind of woman we needed to have love us, so, imagine the heartbreaking pain, to have her, and her love, and then lose it.


©2012, Author Leon Jackson Davenport
for ~ "THE SHADOWS OF OUR NOIR"
*AT THE BIJOU*


Photo Cred: Kate's Bar is really the Houndstooth Pub on 37th in NYC,
but hey, Kate so dug Leon dubbing her a bar, she picked one she liked.



LEON JACKSON DAVENPORT ~

Crime time author and all around good guy, but don't let that ruin his tough image. Leon's an Emmy nominated TV editor, fine art photographer and one of the booming voices you'll recall aboard this season's sailing of HARBINGER*33, manifesting authors' destinies. He's a smooth, wry storyteller who's gonna bring you back for another shot of this Gunn character . . . Watch for him where shadows come out to have their say.


That Leon, he don't say nothin' he don't mean, huh? And our Katie sure knows how to pick'em -- Youse writer-guys are aces in a stacked deck here AT THE BIJOU.

The Shadows
of Our Noir
 -- are runnin' fast as slick getaways on rainy nights you never saw comin'. 

Katie's gonna celebrate her national holiday, that birthday hoopla she does come Sunday, then she's cornered a bunch o'hoodlums that wrote with her in that crime-time book from hot shot Matt Hilton, you know, the bestseller, feller. What's it called again? Yeah, yeah ~ ACTION: PULSE POUNDING TALES. Catchy title Hilton. You're no slouch.

So Toots, brighten your peepers next for ~ 
Absolutely*Kate . . . Matt Hilton . . . 
Paul Brazill . . . Richard Godwin . . . 
with somethin' you never 'spected ~
David Barber turnin' noir to poetry.
 {Hey, I can't make this stuff up - Katie absolutely writes my lines anyhow). 


Be there or be square ~ 
*AT THE BIJOU*
"Where Writers' Raves are Readers' Faves"



Monday, August 1, 2011

TAKE THE MONEY AND RUN? INTERROGATING THE INTERROGATOR . . . Sleuth Absolutely*Kate



 TAKE THE MONEY AND RUN? 
INTERROGATING THE INTERROGATOR
 
~ Sleuth Absolutely*Kate

TAKE THE MONEY AND RUN EPIC-SODE CLIP

^  C L I C K   A N D   S E E  ^

You know the score. You've heard the hoopla. A lot comin' down on the streets don't escape your awareness. No sirree bub. That LAPD detective and author of deft tellings, Paul Bishop, has himself a spiffy new TV show. ABC on Tuesday night. Don'tcha dare miss it. Makes reality TV as thrilling as dodging bullets from a moving train in the dark of the night again. So keep your peepers peeled.
And say? How would you stash some cash? Let's think in briefcases full of $100,000, shall we? Unmarked small bills? Not sure, but this is reality TV so it's the keen green, if you know what I mean. Put it away cold for 48 hours while takin' on the heat from hard-driving-their-points home interrogators with a lot going on under the old fedora. Could you do it? Could you? Watch on ABC, beginning Tuesday, August 2 at 9pm. See if that palooka Paul and his lovely lively partner, magnificent Mary can get those canaries to talk.

TALK? Wonder if I can get that big lug Bish to dish ~ Yes, the very same feller who runs BISH'S BEAT of pulp fiction, Rat Pack razzamatazz, spy guys and the 60's scene sensations. He's a star on his own risin' horizon . . . LAPD detective -- author -- and soon a TV star who even Sheriff Andy of Mayberry could take a shine to. Why, he's 3, 3, 3 sleuths in one.

Better call in the big guns
     for help on this case:  

SPADE DIGS DEEP IN SHADOWS
So Bish,
Shoot straight.
Are you going to turn out to be the hero of your own life?


PAUL BISHOP ~ LAPD
 Sam I’m not so sure about this hero stuff – I’m just a guy in love with a girl (or whatever other Mickey Rooney / Judy Garland reference you want to make).
Seriously, I’ve been really lucky to be able to do the two things professionally I love best – putting words on paper and putting villains in jail.  And now I get to co-star in a TV show on a major network.  It doesn’t get much better.

POIROT KNOWS. THAT BELGIAN WON'T WAFFLE.
Why this show Mr Bishop?
What segment of your psyche let it slide out to better churn on the high interests of your vast viewing public?

BISH. AUTHOR AT LARGE
 Detective, you know sometimes it is all about being in the right place at the right time.  Six months before getting tapped for this show, I’d been pitching a TV series about a team of elite interrogators going around the country solving crimes to a VP and her staff at Bruckheimer Productions.  As part of the pitch, I did a mock interrogation of the VP, which really put her on the spot and made her feel a little of the heat of what it’s like to be on the receiving end of a professional interrogator’s questions.  
Bruckheimer Productions eventually passed on the series pitch, but the interrogation part of the pitch had left an indelible impression on the VP.  So, when it came time to look for an interrogator to actually play the part of an interrogator for Take The Money And Run, the VP immediately picked up the phone and dialed my number – right place right time.

CLOSE CALL CLOUSEAU CONTENDS?
Hmmm, zat eees quite an eenteresting observation Paul, I may call you Paul?
Now, detective to superior detective, precisely what percentage of hiders vs seekers do you theenk are going to get away with the dash of how they stash the cash?

FEAR? DETECTIVE OF THE YEAR?
Inspector, that’s hard to say without giving away too much.  Hiding the briefcase is the easy part.  Not giving away its location for 48 hours is a lot tougher than most people would think.  However, if I were a betting man, I’d be putting my money on the briefcase being found.

MISS KATE KNOWS MY METHODS. ABSOLUTELY.

Books, let's get back to books.
Surely a clue as to how expertise covers a wide realm?
What say you Bishop?
Are your talents elementary?

THE MAN OF NOVEL IDEAS
Precisely, Inspector Holmes. I’ve been a professional writer for as long as I’ve been a cop.  The careers have simply run parallel and in some ways fed off each other.  I’ve had ten novels published, written a dozen hours of episodic television, and a produced feature film.  Now, with the publicity from Take The Money And Run, all of my titles have been given fantastic new covers and reissued as e-books – look for them on a Kindle, a Nook, or a Smashwords reader near you.
Most of what I write has been police/mystery related – especially my novels featuring LAPD homicide detective Fey Croaker.  One critic described them as “Prime Suspect meets Ed McBain’s 87th Precinct,” which was a great compliment.
As well as police thrillers, I’ve written westerns (Shroud of Vengeance), sports novels (Penalty Shot), and amateur sleuth mysteries (Suspicious Minds).  I’ve often said, if they would pay me to write the back of cereal boxes, I’d be writing the back of cereal boxes.  To make a living as a writer you have to be adaptable.

Writing is work.  I love ‘having’ written, but creating stories and putting the words down on paper is mostly hard slog.  You have to be driven to do it, to tell your stories, to get the characters and situations whirling around in your head into a readable form.  There are the rare days when everything flows easily from your fingertips to the keyboard, and they make a lot of the others worthwhile.
Whenever I’m stuck on a plot point or trying to figure out what happens next in a story, I go running.  I’ve run every day for most of my life -- I still grind out five to eight miles every day.  So, the act of running is second nature, my physical body going through well recognized motions, allowing my subconscious to free itself to be creative.  Works every time.

IT'S ALL IN THE DETAILS
Yes, the creative subconcious. Works every time.
Just one more thing Bishop -- Just how much are your protagonists like -- someone you know you know?

MAN OF PAGE & STAGE
Well Lieutenant, most of my protagonists start out with parts of my personality in them – even Fey Croaker – but as they grow on the page, they begin to morph into someone distinctly different.  There is still a little spark of me hidden deep inside, but they become very individual.

MARLOWE MULLS MOTIVE
Paul, you're the kind of fellow who comes out from behind a shady typewriter who I could swap shots between drinks with or drinks between shots with, but tell me -- 
Could YOU get away with Taking the Money and Running?

IF BISHES WERE WISHES
Marlowe, writers are professional liars, so I think it would be a cataclysmic explosion – Bish, the immovable writer as professional liar, up against Bish, the unstoppable interrogator.  Of course, we might just join forces and disappear into the sunset.

HAMMERING THE POINT HOME
Paul, you have to be always ruminating. 
With no holds barred, what would be 3 potential projects or publishings you'd make happen faster than some roscoe could flimflam a 45?

PAUL BISHOP, PROLIFIC AUTHOR
With e-books changing the face of publishing, it’s finally a time to be able to write books for niche audiences – and be able to reach them.  Coming in August Mike, I have a new book, Felony Fists, that is part of a series, Fight Card, I created with two other writers under the pseudonym Jack Tunney.  These are tales of the boxing underworld in the ‘50s told in ways that emulate the boxing tales of Robert E. Howard that appeared in Fight Stories and other sports pulps.
There is no way a traditional publisher would have taken a chance on these stories.  However, these are tales we are passionate about telling – and today we can do it and reach an audience who will appreciate them.
Next up, capitalizing as I can, is a new series from me under the banner, The Interrogators. Look for the first book in January.
Then, no holds barred, the big screen version of an existential, experimental, incomprehensible, best-selling autobiography I haven’t written yet.

ABSOLUTELY*KATE, SAILING ON
Mr Bishop, you sure were ready for your closeup.  Thanks for the insights me and the boys detected from this interview. 
The evidence points to a great show Tuesday night at 9 eastern on ABC. I'd wish you and Mary Hanlon Stone good luck, but it's a foregone conclusion you're already a class act to contend with. Isn't that right Mary? ----- Miss Mary?

MARY'S NOT CONTRARY!
Thanks Kate, for letting me stay in the shadows behind the red velvet curtains AT THE BIJOU
This is quite a snazzy place you have here. A suspicious crew of characters too. Now about spilling the beans on my partner to spice up his spotlights?

Okay. Three things about my BFF:  He runs 8 miles a day. He loves jazz and he is one of those guys who will actually go shopping with you and not complain!

ABSOLUTELY*KATE:  Well folks, there you have it ~ Interrogative stars are hitting the big screen TV near you on Tuesday night. Quite likeable and impressive, wouldn't you say? Mary's talents in crime fighting as well as authoring The Invisible Girl are more than a Stone's throw away.

Do strut your stuff back over AT THE BIJOU next week for an interview into what makes the dame of fame of this partnership tick. If you're real lucky, it could be that surfer cowboy of scribing success, Harry B Sanderford, or even the media man who jives in tune to the words he tales, Anthony Venutolo, at the microphone. We'll just have to see who comes out behind the curtain.


YOU DON'T WANTA DICK AROUND WITH TRACY
WATCH THE SHOW.
READ THE BOOKS.
This has been an ethusiastic non-shameless plug by a moxie skirt who believes in believers.
 ENJOY YOUR TUESDAYS and know where your briefcases are.

~ Author/Promoter Absolutely*Kate
AT THE BIJOU
Where Writers' Raves become Readers' Faves  

Photos from the luminaries' above, ala public promotions,
with a Raymond Chandler paraphrase slippin' outta Marlowe's mug



JOIN US THIS WEEKEND

FOR THE RETURN OF ~


~ Traveling Time with ~ the butcher, the baker, the cunning candlestick maker AND Albert Einstein?  Keep those peepers peeled!



More Sleuthing next week with
the TAKE THE MONEY AND RUN gang

Be there or be square

GET A LEGO UP. TAKE THE MONEY AND RUN.
How would YOU stash some cash? 
Let's think in briefcases full of $100,000, 
shall we? Imagine 48 ensuing hours
 under intensive interrogation. 
You gonna crack or watch your back?
 
Send your scenario in a flash of a fiction note slipped under the AT THE BIJOU projection room doorway at RiverviewStudios@gmail.com. We'll grandstand those great tales AT THE BIJOU and shine shimmering spotlight on your writing creds. 

Be creative. Beat the Bish.
We double-dog dare you.



~ Absolutely*Kate
and our notorious crew of renown
AT THE BIJOU

FLASH!
THE BEAT OF BEETNER
Just heard that our own author colleague ERIC BEETNER,  crime writer, screenplay master and television guru edited TAKE THE MONEY AND RUN . . . 

Small world that big successes fly in for authors taking ideas to  viewing pleasure screens, huh? You can read more of Eric Beetner's hits AT THE BIJOU right here . . . 

More on One Too Many Blows To The Head and Borrowed Trouble, his own fighters' one-two punch books along with co-author J.B. Kohl,  center the ring at Eric's contemplative writing site (It's like peeking into his latest notebook). Watch the multi-talents of this dynamo's destiny sail in the upcoming HARBINGER*33.