Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Sunday, May 27, 2012

A SMILE, REFLECTING ~ Lily Childs


   
A SMILE, REFLECTING 
By  ~ Lily Childs



She’s seeing as though through a mask, its hugging surface woven of fine leather and peeking with thorns. Woe betide the kissing man who will surely die from her spikes.
 
Counting down the seconds with bites of her blackened nails she begins to worry her lovers won’t come. They must! She is tearing at the skin now, ripping sore shreds away. Saliva slips into the wounds, puffing the flesh.
 
At last their car pulls into the driveway. He gets out first, does a comedy run around to her side to open the door. She’s looking beautiful tonight – he’s probably telling her that as he lifts her hair and speaks softly into her ear, his hand slipping down that long, slender 
neck.
 
It’s strange to see them together. She is used to having each of them to herself. Is this wrong? Can I do this, can I share? The plan doesn’t seem as solid as it did yesterday, when she’d whispered the invitation.
 
“Don’t tell.”
 
They’d each acquiesced with a flush of the cheek; he in the morning, she - just minutes before 
midnight.
 
But they must have told.
 
It changes everything.
 
They let themselves in, as instructed. She hears them utter meaningless words in low voices as they pour themselves drinks from the bar. Hers will be green gin and his, a dash of single malt. Their giggles entice; the ice in their glasses chimes louder than bells in the expansive hallway. She hears the clatter of heels and soft shuffle of Brogues on parquet. Her breath rises a notch in the dark, keeping time with every step of their feet as they mount the creaking staircase.
 
She will greet them as never before.
 
Her look is of love as she opens the bedroom door - naked as the rose petals that cover the floor, the windowsill, the bed. Her hands drip with 
blood as red as the rose petals that cover the floor, the windowsill, the bed. The daggers are sticky in her hand – one for each neck, one for each heart.
 
She can share after all.
 
As they stand - adulterous eyes taking in her body - she opens her arms. They cannot help themselves, and move towards her. His fingers reach for her waist. He slips them into the open holes she has slit beneath her ribs. His wife drops to her knees; her kisses 
will sting.
 
The descent is all she has dreamed of. Slow, an emptying of life-force, a giddying plummet towards the fabled little death. She smiles as they carry her to the bed; she has been waiting to offer herself up to them this way for so long.
 
They are clumsy. Surely they share the desire to drink her dry? Light flares in her memory and she swallows a missed beat of the heart. Who are these people? How did she get here?
 
Lights off.
 
The lovers fall and fall again, sobbing with tears of seduction, eyes wide open, throats wide open – giving themselves to her in a rush. The game is no longer hers to command, she tells herself, slipping over wet skin. She wonders if she ever really told them the game was theirs all along. Their faces reveal a different truth and she wonders then, if they even know she
is.

  
Outside, sirens scream like banshees; closer – closer still. She wonders at the noises in her head. They’re of radios and cell phones and panic and fear. Someone else’s fear. They slam doors and bang doors; break doors down and come running.
 
She twists her head this way and that. Her lovers lay on either side, throats glistening. His still has the stiletto blade standing erect, though the flow has ebbed. Her dagger has toppled to join the one at her heart making a crucifix between her small breasts.
 
“Oh, hell.”
 
A man creates a shadow on the wall. She watches him lift his phone to his mouth.
 
“Emmerson? We’re too late. 
They’re dead.”

She hears him talking to Emmerson and the others that now crowd the room, of stalkers and escapees and mental health and danger and delusion. Of Mr and Mrs Radford, newly-wed.
 
Her mask is lifting, taking with it the cobweb barbs and the cord that has tightened itself around her thoughts for so very long. In the rush of release she observes the scene in all its stark reality, seeing clearly for the first time in years – and understands what she has done.
 
“Stop her! Somebody, stop...”
 
She reclaims the knives, studies them for a lucid moment, then remembers. Her little lovers; glistening steel and sharp as the razors with which her mother cut 
her own wrists. When was that?
 
All is well. All is well. She plunges the daggers into her neck, welcomes the warmth that sprays over the sheets and onto her skin.
 
The growing crowd makes the oddest of sounds. She watches them spill their insides; opens her mouth to tell them she is sorry but all that comes out 
is red.
 
It feels better now, this darkening, wet place. She doesn’t know the man and woman beside her, though she’s been in their house for a while. At least they will always be together. The thought makes her happy and she is filled with joy at having learned to truly share – their home, their love, their lives – whoever they were.
 
Pulse.
 
People blur in and out.
  
Pulse.
 
Someone leans over her to press her scarlet fountains, leaving the blades in situ.
 
Pulse.
 
Lightning, is it lightning? It flashes over and over, turning the world into negative and negative and negative and so maybe, just maybe - it’s a camera and... 

 
Pulse.
 
...why would they want photos of me?
  
Pulse.
 
Of us?
 
Pulse.
 
Perhaps we’re a work of art.
 
Pulse.
 
“Smile for the camera”, someone should say.
 
Pulse.
  
She does.
 
Pulse.
 
‘We’ve lost her.’
  
Pulse.
  
Pulse.
  
She grins. Her smile reflects back from the stilling steel.



© Author Lily Childs
~ Another stunning Debut ~ AT THE BIJOU



Now I've seen everything. 'Stilling steel' and 'blades in situ'. Me ~ a man of evocative suspense and mystery. Imagine that. 

Absolutely*Kate has cajoled the one, the only, the wilds we know as Lily Childs to debut AT THE BIJOU ~

Our Ms Kate tried to tell me the projectionist was running "THE SHADOWS OF OUR NOIR" show, but I told her shadows were but mere pinpricks of undeterred light once she let Lily in AT THE BIJOU. She's put all the staff into such a fright.

Absolutely*Kate:  Oh Al, come on, it's not that terrifying. Lily Childs is the epitome of suspense, gut leveling as it may be. We're lucky to have her here. So the jujubes got shook up and the Snickers bars quit laughing. Lily's going places, star to the firmaments, that kind of lofty launch. The gal has stage presence, I tell ya.

Presumably, the voice of Mr Hitchock: "Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film."


Absolutely*Kate:  Mr H ~ But you're a hero, cinematically speaking. You give pleasure to millions of movie'goers. 

AH: "Give them pleasure - the same pleasure they have when they wake up from a nightmare."


Absolutely*Kate: Ahhh, AH, I see . . . teeming talents such as you and our Ms Childs simply let your 'style' be your enigmatic voice-over. Here comes Lily now, why don't you announce to the folks who she thinks she is and I'll ask her who she's going to be.




Aspiring? 

Lily is a writer of horror, twisted crime, dark fiction and poetry who sees beauty in everything. She is the author of the Magenta Shaman urban fantasy short novella series and has recently released the first volume of her extreme horror short stories Cabaret of Dread through Ganglion Press. Her ebooks are available to download from all Amazon platforms.


Lily is Horror Editor at award-winning ezine Thrillers Killers ‘n’ Chillers, alongside Crime Editor/writer Col Bury, and Thriller Editor/best-selling author of the Joe Hunter series, Matt Hilton. She blogs regularly at Lily Childs Feardom  and you can follow her on Twitter @LilyChilds and facebook.com/lilychildsfeardom

CURIOUSITY OF THE KATE sails on .  . .
 Absolutely*Kate: Ahoy there Lily! All you've done in your professional writing career is quite daunting. Your debut AT THE BIJOU is natch, a killer tale, a bloody taste of dark Noir pulsed out to the finish. Your followers, from Feardom come . . . are legendary in their legions, so Predictioneers have preached, but Lily where do YOU see yourself in your own realms of reality?

LILY CHILDS ~ Feardom's
Voice intuiting Time itself

You ask for Manifesting? 

Hmm, Lily is currently working on various supernatural mystery novels in a lighter than usual literary style. Her third Magenta Shaman novella is taking shape and Lily is considering a related non-fiction book on shamanic journeying. She continues to write extreme horror short stories and already has enough dark tales to fill Cabaret of Dread Vol. 2.


And my dreams? You wish your BIJOU audiences to know my Dreams? To become a full-time author of traditional books that carry the logo of a great publishing house on the spine; of books that fill physical as well as virtual shelves. And not least, to become that “proper writer” her daughter already believes in.
  
Absolutely*Kate ~ But Lily, when did spirits speak that you had the inner knowledge to communicate through your vivid stories?


 LILY  ~ They called me as a child, made me ask questions that ‘the grown-ups’ didn’t seem to be able to answer. They still can’t.
  
I’d write about invisible dancers in the grass and bluebell-capped, winged faeries; I rewrote biblical tales to meet myth and other diverse religions. No-one approved so I gave up – on and off. Now I write for myself, because I can’t help it. But the spirits are still there, oh yes.



 A*K  ~ Oh, believe you me, we sense those spirits. But ~ Why / What / How (or all three) make a Lily Childs story so fluent, so vivid . . . and yet while endearing to sense or senses . . . so startling?

 LILY  ~ Flow and trances; I just let it all hang out and don’t question the emotions the act of writing raises - whether stark or sensual - nor how inappropriate the content is. Plus I rarely stop once I start and have completed many a tale with one eye open and the other all-a-twitch, but as soon as it is finished I’ll put the story away for a few days before looking at it again. I love it when I don’t recognise everything I’ve written, but then anyone that knows me will be aware of my sieve-for-a-brain – I don’t remember anything. Maybe it’s a defence mechanism, but for writing short fiction, it works. And that’s why when I’m working on a novel, I have to keep notes.


 A*K  ~ Ahhh, 'awareness' speaking ~ Any place or time ~ where would you be right now with your out-of-body-transfer skills in full soar?

 LILY  ~ Dallying in Crete or Samos during either Equinox – any century, not that you can often determine time when you’re picking herbs, wandering though olive groves or offering a libation at sacred stones.
 
I’m a forest rather than a mountain girl, so would be happier running with a boar than flying with an eagle; though that’s not to say I haven’t ruffled feathers in a meditation or ten. Currently I’ve been walking with man-sized herons; they’ve not got a lot to say for themselves but they walk tall – with grace. I think that’s all about dignity. It’s something I need to learn.



 A*K  ~ Dignity? Grace? I sense those time'old truths underlying so much of your scribing. It's your *magick* toppling over traits which intrigues. Is it truth and not madness that you can turn a creature into something other than their apparent self? What then, dear Lily would you turn *me* into?

I'm in Lily's spell ~ You?
Bohemian Kate, it is my belief that we exist on many levels and layers, and whilst we might not perform True Blood-like shape-shifts in the physical realm, I know we can do it on the spiritual – and of course, in fiction.
 
I have no doubt; you – my jewel-gathering friend are a Magpie, neither earth-bound nor sky-trapped. I would set you free on shamanic flight to dip in and out of psyches and souls, discovering and rescuing and – why not, occasionally stealing something pretty for pleasure.
 
My father has always affectionately called me Maggot (sounds lovely, doesn’t it) from the original country name for this curious bird Maggot-Pie – a nod to my child-like obsession of all thinks twinkly. This is heightened in you, me thinks. You seek out the sparkling on this earthly plane, soaring high and gathering your finds with an astute beak and welcoming wings/arms. You appear here, there and everywhere – a single bird but seemingly in flock, and like in the English tradition, we writers all nod a greeting to you, with no pecking order.
 
You’ll perhaps appreciate that this warm evening – after answering your question this morning - I sat in my parents’ lush garden in the late sun watching a pair of magpies that have nested in a fir tree. They flew round and about us whilst my father waxed lyrical on their habits, with no prompt from me, until the female climbed - no danced - up the trunk of the tree as though it were a ladder. An allegorical ascent perhaps.
 
Finally, the great beauty of this bird is that the unimaginative simply see black and white, but anyone that cares to look closely will experience every shade of blue and green in its feathers, contrasting with pale and pure crystal translucence. That’s what you are, Absolutely*Kate, never simply pie – and you don’t need me to turn you.


Wish your Greater Truths, Lily . . . 
Wow, soft sigh and heartfelt knowing your words stroke my spirted heart. They take the cake, as we say here in America. In this case . . . how fortuitous for *energy* AT THE BIJOU, that it's YOUR birthday cake at this moment in time!


HAPPIEST CELEBRATING ALL YOUR LIVES, LOVELY LINGERING-ON-THE-MIND, LILY CHILDS. Our thanks for greater truths sparking spots, kliegs and yes, magick moonlight you've morphed through mahoghany double doors AT THE BIJOU.



Thank you so much for publishing A Smile, Reflecting and for this gorgeous chat. It’s been a pleasure to laze on your sofas. I might just take a nap... 
                                                                                                  xx Lily Childs
          

Pleasure is truly Ours 

~ *AT THE BIJOU* ~
"Where Writers' Raves are Readers' Faves"




Monday, January 2, 2012

New*Year NEW NOIR ~ AT THE BIJOU presents ~ HARD LANDING, a Steven Miscandlon Debut



H A R D   L A N D I N G

By ~ Steven Miscandlon 


I’ve always had a thing about stairs. Part fascination, part fear. I have recurring dreams about broken stairways, about running up stairs, about falling down stairs. So standing here, on the top floor landing of a ten storey apartment building, I guess I’m somewhere between heaven and hell.

I can look over the balustrade here and watch the rhythm — stairway, landing, stairway, landing, stairway — spiral down and down. Shoddy building maintenance means the lights on the bottom five floors are out. And that means when I look down, I see the stairs ultimately descend into darkness, into shadows.

The space in the middle of the building is a pit, an abyss, a well. Not the kind of well you draw water up from, but the kind you fall down into. The kind you might push someone into. Nietzsche said something about looking into the abyss, that it looks back at you. I disagree. I think it’s more likely that you’ll fall in. Or that someone will push you in.

I flick my cigarette over the side, watch the still glowing tip tumble down into the darkness. A wisp of smoke lingers in the air, like a bitter memory. Anyone watching that casual action would see a cool, calm demeanour. A stone cold killer, ice in his veins.But it’s not like that, not on the inside. Nerves of steel? Sure, but only if that steel is a badly tuned guitar string, plucked and still resonating its greasy, uneasy tone.

My nerves are shredded, my stomach in knots. Because the reality is, if you’ve just killed a man, that’s how you feel. It might not show on the surface, but underneath it churns. I can see the look on his face, still — not fear, not exactly. More … surprise. Yeah, that’s it. Surprise that I was pushing him over a tenth floor balustrade into the abyss. Like, despite the fact that I’d chased him up here, he still hadn’t known what was coming. Hadn’t expected me to knock away his hands as he’d grasped frantically at my lapels in a desperate attempt to cling onto dear life. Too late, buddy. Too late.

The situation was what it was, and I am what I am. So many things I could have been. A mob boss, a cop, a two-bit hood. Hell, some would even say I coulda been a contender. But of all those things, of all those cards that the trickster had laid out face down in front of me, I’d chosen… Well, that’s another story for another time. Whichever card I’d flipped over, it was always going to be the ace of spades.

Anyway, time to get out of here. Before the boys in blue arrive. Someone’s going to have one hell of a mess to clean up. I pull my collar up, strike and touch a match to a fresh smoke, and start down the stairs. Down into the darkness. Into the shadows.


©  DEBUT Author ~ STEVEN MISCANDLON

Cold crimes for  Jump-Jivin' January NOIR  AT THE BIJOU
PHOTOGRAPHIC CREDIT:   STEVEN MISCANDLON . . . naturally

"Get the audience at the edge of their seats"
~ ALFRED HITCHCOCK   pic ala Hitchcockmani


You know Steven, this Absolutely*Kate show-mistress mysteriously asked me to share your recent holiday secrets into what she alliterates as the bright, brave, brazen New Year. Do you think she rather finds us suitable mental companions? Is it our style? Our suspense? Our savoir faire? I hear folks mumble about her back stage. There's not much I miss, you know. She's keen to which angles best affect best effect. I believe I do understand that and her suitable segway. Good sir, you're no young pup when it comes to cameras and effecting all the right angles yourself . . .


Take these photos, this mastering angles of elements. They're yours, aren't they Steven? Our Ms Kate, with attention to detail shadowing her motives, is aware of their copywright sanctions. But Kate being Absolutely*Kate, couldn't resist letting your greater audience know your teeming talents. Why, I believe that minx has just made me accomplice to her revelation crime. Forgiveness is in your hands. She really is a good sort.


© STEVEN MISCANDLON PHOTOS MOST FAVORITED ON FLIKR,
once he hit over a quarter-of-a-million rave reviews.

DOESN'T TAKE A HITCHCOCK TO CLUE IN

THAT THIS GUY . . . HAS GOT IT.

THERE'S NO MISHANDLIN' MISCANDLON.


As author, photographer and book-cover designer
Steven is memorable past mood. He evokes.


~ Absolutely*Kate,
Believing in Believers,


Thanking
this multi-talented whirl of aesthetic distinction

for joining in the fray of

Our NOIRtorious Tales,

   AT THE BIJOU


But wait, urges Kate ~ In her copious files, she retains Santa notes from the recent Christmas holidays under Maybe Merry Miscandlon. A green post-it reads: "These are great! Will you use 'em in your interview, Alfred? Please?" 

Are you going to resist a 'Please' from Absolutely*Kate,
 Mr Hitchcock?

A.H.  That's not tonight's mystery killer, Mr Miscandlon. Speak forth your mind, still festively in holiday enlightenment, will you? 

From Absolutely*Kate's Insight-Interview Files:
  
#1 What's the best Christmas gift ever received? 


I guess I'll show my soft side here and say that the festive season is really about spending time with the people you care about. I don't think you can beat just chilling out with your partner or family or friends — best gift there is. Though having said that, last year my brothers gave me a Hapkido DVD signed by Carter Wong. Most people won't have a clue who that is, but trust me, he's fucking cool.


#2 The best you ever gave? 

S.M.  If the important thing is having time with the people you care about, then by extension the best gift I ever gave was the gift of my own fine company. Those lucky bastards.


#3 What / where / how does one gift Steven Miscandlon writings for greater holiday happiness in a world that needs it? 


S.M.  You'll be lucky. With the exception of my story 'Frigid Air' (which was featured at Thrillers Killers 'n' Chillers, and included as a bonus story in Julie Morrigan's 'The Writing on the Wall' horror collection) the bulk of my published writing pretty much dates back to pre-Internet days. So unless you manage to track down a 17-year-old copy of West Coast Magazine, or The Gothic Society Grimoire, or my short story anthology 'Forever Lost', then you'll just have to wait until I write some more stuff. Maybe this year.


#4 Single spotlight. Do your song and dance Bub. You're centerstage, AT THE BIJOU. You're looking right swanky. Katie's just introduced you, handed you the mike. Tell our red-velvet seated audience two things:



-- The one liner bio you wish them to remember about the author you see yourself being . . .


S.M.    I'm tempted to just quote from an old 'Forever Lost' review — 'Highly readable and no squirm factor' — can't think of a much better 6-word summary of what a writer sets out to achieve...


-- Something inside of you that you've never told a full-fledged audience of readers and fellow classy authors in a ritzy theatre where the single spot has you in a pool of light that just keeps glimmerin' . . . 


S.M.  Sorry, but the main thing inside of me is bitter, boiling rage at the state of the world. As a whole, we're a tragic, horrible failure of a species who value absolutely the wrong things in life, in people, in government, in business, in entertainment... And if you hand me a microphone and put me in a pool of light on stage I'm likely to just rant and rant and rant until you'll have to call security to have me forcibly removed. Merry Christmas, folks, a Happier New Year to us all.


#5 Will you bestow a holiday gift, a notice of a splendid piece of your writing to come*true for all now reading you, oh author whom AT THE BIJOU's lucky-as-loaded-dice crowd is to know? 


S.M.    My next piece of writing isn't written yet. If anyone has liked my stuff, then I give to you the gift of ... anticipation. Enjoy it while you can.

SIT DOWN SCHWEETHEART ~ Anticipation, huh Wiseguy?
 
Why, you ain't seen nuttin'
til you eyeballed how Katie
and da gang are pullin'
all the stoppers past nosey
coppers into a Jump-Jivin'January
of NOIRtorious Tales to behold:



   LINK delicious INFLUENCES of ~
                OUR NOIR AUTHORS' "JUST DESSERTS" ~

   LINKS TO OUR NOIR SO FAR ~
  
  





Ian Ayris . . . and Absolutely*Kate so far . . . . 


   NOIRTORIOUS COMING ATTRACTIONS ~ 
Every-other-day cold crimes . . . jump-jiving January's New*Year NEW NOIR


Paul Brazill ... Kevin J Mackey ... Leon Jackson Davenport

Helen Howell ...  BR Stateham ... 

Luca Veste, on the record 'bout OFF THE RECORD

Sal Buttaci ... Julian Bramwell Slater ...  

Christina Vincent ... Charlie Wade ... 

Darren Sant ... Aidan Fritz ... Lily Childs ...  

Vic Watson ... Fiona Johnson ... Jack Bates ...

Thomas Pluck and the Lost Children benefit show

New Year, new NOIR, Publisher BLASTED HEATH

editor John Kenyonpublisher of GRIFT magazine

with stories of GRIMM TALES' greats 

Rex Pickett picks a surprise ... 

plus . . . return of our pally, the great Randisi ... 

AT THE BIJOU'S Harry B Sanderford ... Matthew Magda ...  

plus intermittent intermission pizazz by masters of the ceremonious ~ 
Kevin MadDog Michaels and Absolutely*Kate ... 

Why ~ Who knows who's getting into the act? . . . 
RAYMOND CHANDLER may be channeled! 

  

ABSOLUTELY*KATE, BOGEY & PALLY PRODUCTIONS
Jump-Jivin' January's New Year, New NOIR  AT THE BIJOU