Showing posts with label Harbinger*33. Show all posts
Showing posts with label Harbinger*33. Show all posts

Thursday, June 14, 2012

Proudly Presenting ~ "NOVEMBER, 1955" by Leon Jackson Davenport . . . back AT THE BIJOU for "THE SHADOWS OF OUR NOIR"



By Leon Jackson Davenport


She was beautiful. Tall and slender with dark-brown eyes, (the kind in which one can lose his soul); her light skin was perfect, her smile mesmerizing, and her taste in clothes impeccable. She was the kind of woman, we all dream of attracting, one that will be the envy of both genders; the women want to be like her, and men need her to love us.

It was November 1955, and I was still basking in the glow of the Dodger’s victory over the Yankees in the World Series. It was made even sweeter because the Dodgers did it with so many Negro players: Joe Black, Don Newcombe, Roy Campanella, Jim Gilliam, Sandy Amoros and the man, Jackie Robinson all played pivotal parts in helping the beloved team from Brooklyn win.

I was drinking Jack Daniels, in a little bar near my office, which I frequent, just to be sociable, and to keep up on what’s happening in the neighborhood. The combination of good reliable information, a quick right hand and a ready smile usually gets me what I want, I’m not bragging just laying out the facts.

She walked over to me, gliding as every eye in the place watched her.

“Mr. Gunn? Mr. Jacob Gunn?”

“Yeah, I’m Gunn. What can I do for you, Miss, ah?”

“Jones, Amanda Jones.”

“What can I do for you Miss Jones?”

“I’d like to talk to you in private Mr. Gunn. Can we move to that booth over there in the back?”

“You’re new here aren’t you?” I said smiling. “That booth belongs to Tommy Brown. He runs the numbers in this neighborhood. Nobody sits in Tommy’s booth, not even me. Lets go over there,” I say pointing to a booth next to Tommy’s, a little closer to the back door.

“It is quiet, and we can talk.” She led the way, and every head in the bar turned to watch.

She told me about her predicament: a former boyfriend was threatening her, and she was scared. All she wanted was to be left alone, and she asked if could I pay him a visit and convince him that the best course of action, for him, was to move on. She made it very plain, that it was all right with her, if he was slapped around a little in the process; after all, he slapped her around, more than a few times, over the three years they were together. I asked if she had a current boyfriend, and her answer was vague. I figured she did and he must have been white and married. He couldn’t get his hands dirty, or he didn’t know about the old boyfriend; however, the old boyfriend knew about the brand-new boyfriend, and he was threatening to louse up her new life. I told her that I’d talk to him. She slid an envelope across the table. In the envelope were three $50 bills and a card with a name and address along with a picture of the gentleman in question. She said there would be another couple of hundred in it for me when I completed the job. I told her I’d have something to tell her in a couple of days. She gave me her thanks, a smile and then disappeared into the night.
~ ~ * ~ ~

The next morning I went to the address on the card. It was a prewar apartment building with black-and-white tiles in the lobby, high ceilings, ornate moldings, and grand archways; it was a beautiful building. I wondered if they had any vacancies, I would have liked to live there. Then I thought about the business I was about, and I decided it was only a pipe dream; I was going to kick the snot out of one of my perspective neighbors, not a good way to introduce yourself.

It was an elevator building without a doorman or front desk, so, once I got someone to buzz me in; I could go right up. I had a photo of the target, and as I walked by, a guy resembling my client’s former boyfriend came walking out the front door. He had a lunchbox and was wearing coveralls with his name on one side and “Quality Auto Repair” on the other.

While he was gone, I decided to go upstairs and make myself at home. The guy I wanted, lived on the third floor near the back. The front door was locked, but I knew from experience, with a little patience someone will let you in. It could be a teacher going off to work; or a factory worker dragging in after third shift; a kid off to school or a mom off to buy groceries. Sometimes it would take a nice smile and nod of the head, but someone will always let you in.

Today it was the teacher; she eyed me up and down, noticing how sharply I was dressed. I wore a fedora; brim pulled low; neatly pressed tan pants with a white dress shirt, light starch and a blue blazer with gold buttons and my shoes shone to a high gloss. I smiled; that confident, friendly, useful smile that has gotten me out of more scrapes than I could count.

“Thank-you ma’am.”

“That’s miss.”

“Oh, thank-you miss.”

“Gloria, Gloria Powell, from 4C. Are you new to the building?”

“I’m thinking of moving in. Do you know of any vacancies, Miss Gloria?”

“I think 2D is moving. But check with the super and don’t let him swindle you, he sometime tries to add $10 or $15 to the rent for new people.”

“Why, thank-you Miss Gloria, with that information, I’ll be ready for him.”

“Hope you get that apartment.”

“Me, too. Thank-you Miss Gloria, have a nice day.”

“Good-bye Mr.?”

“Gunn, Jacob Gunn.”

“Good-bye Mr. Gunn.”

I offer my hand, and she takes it.

“Please, Miss Gloria, call me Jacob.”

“All right, good-bye Jacob,” she pulls her hand away teasing my fingers. I hold open the door and watch her walk down the street and around the corner; she didn’t look back, but you could tell she knew I was watching.

I walked up to the third floor and tried the lock; it was open, amazing in this day an age, that people still left their front doors open. I looked around the apartment. Mr. Little lived simply; a small black-and-white TV was on a table in the corner, and the radio on the kitchen counter was tuned to a jazz station. The living room was furnished with a couch, and an easy chair placed in front of the TV; a cheap turquoise dinette for two was next to the counter separating the kitchen from the living room, no pictures, not of him, my client or his parents, he’s a loner or maybe an orphan. In the single bedroom, he had made his bed; he was most likely a military man, judging from the Spartan furnishings and the shoes shined and placed neatly in the closet; one, no two nice suits, they looked tailor made, no women’s clothes, no clothes that didn’t belong to him. He was a big guy 52 long; most of the clothes came from Macy’s, there was one suit with a fancy Italian label probably a gift, but from whom? The client dropped a hundred and fifty beans without batting an eye. Maybe she gave it to him; she was the kind of woman who would want her man to look good if she was going to be on his arm.

I found his checkbook and savings passbook; he has a balance of $318.76, really $328.76 in the checking, (he forgot to carry the one) and $1521 in savings. That seems like a lot of money for a mechanic, he could be saving for a car, he could almost buy a new Chevy, or Ford, but if he wanted a Pontiac, he was a few hundred short. I wondered if he earned it the old-fashioned way, or if it was a payoff to keep silent.

Well, I got the lay of the land, and it was time to go; I put everything back the way I found it, because I was going to come back tonight and have a talk with Mr. William Little. I checked the hallway; no one was around, and as I closed the door, I thought “Mr. Little it has been a pleasure getting to know you.”

~ ~ * ~ ~

He left for work around 8 am. So, I figured a half-hour on the subway, arriving at work about 8:30 am; eight hours working; a half-hour for lunch means he’d clock out at 5 pm; another half-hour on the subway home, arriving around 5:30 pm; add another hour to clean up and eat he should be ready for our little chat around 6:30 pm tonight.

I came back around 6 pm just in time to see him leaving. I admit I was curious how Mr. Little spent his evenings, so I followed him. He stopped at a payphone and made a call. It was a local call because he only put in one nickel. I was too far away to hear to whom he was talking or what was said, but I could see that he was very upset. A minute or two into the call he began to strike the side of the telephone, over and over, harder and harder, faster and faster; like he was beating out a message, suddenly he shouts something into the telephone and violently hangs up.

“I bet I know where he is headed next,” I say out loud.

The name of the bar was Kate’s, it was a nice neighborhood bar that served food, which looked and smelled good; it had my favorite beer on tap, Schlitz, and if you were of a different mind, Budweiser and Miller High Life. The prices were reasonable, Kate was friendly, and the other patrons were into minding their own business.

I took a seat near the back, ordered pastrami on rye and a beer, and watched Mr. Little drown his sorrows.

It seemed that Mr. Little preferred Budweiser, which was the only thing I found, so far, that wasn’t likeable, well, except that he likes to slap dames around. I couldn’t do much about the former but the latter I was going to address later tonight.

I finished my sandwich and left a healthy tip for Kate; and then I went to Mr. Little’s apartment and waited for him to return. Again, he left the door open, and I slipped inside. I sat in the living room chair with the lights off thinking I’d surprise him; he was a big guy and even after a few drinks, he could be hard to handle.

By the time he got home, he was tight, not drunk, but you could tell he was feeling it. Fumbling with the door, he managed to get it closed and was feeling around for the light switch when I spoke.

“Mr. Little?”

Startled he hit the light switch and spun around.

“Who are you and why the fuck are you in my living room?”

“Mr. Little I have been asked by a young woman, Miss Amanda Jones, that I believe you know, to ask you to stop bothering her. She feels that your time together, while somewhat amusing, is over and the smart thing to do would be to have no further contact with her.”

“What business is it of yours? That is between me and Amanda.”

“I was asked, by Miss Jones, to deliver this message to you.”

“Right, like I give a good God damn.”

“Mr. Little, you should give a damn. I’m here to deliver the message; and come to an equitable accommodation; so, I can overlook your unfortunate outburst, but understand I will protect my client's interest, vigorously.”

“Okay, what’ll she pay?”

“I’m not authorized to discuss that with you.”

“Then why am I wasting my time talking to you? It is like I told her on the phone tonight, she gives me what I want or I’ll tell her fine, married, white boy, not only she isn’t white but (here is the cherry on top): I was there first; big, black, me. I’d bet that little cracker will run for the hills or back to his wife’s bed, if she’ll have him, and Amanda will be left out in the cold.”

“Mr. Little, I‘m here to see that doesn’t happen.”

“Who’s going to stop me? You?"

”Yes.”

He was three inches taller and 35 or so pounds heaver and well muscled. I was a star football player in college, starting at fullback and linebacker, and I was the place kicker too. I never did mind a little scrap; I enjoyed it occasionally; it felt good besting another man with fist, knife, or gun, it didn’t matter to me.

Mr. Little charged me; I stood up and relied on a skill learned on the gridiron. I gave him my 35-yard field goal kick, right in the balls, which dropped him to his knees. A quick left, left, right, and he was done, curled up on the floor holding his nuts and trying to regain feeling in his face.

I sat back down in the chair and waited until he could talk. After a while, he spoke.

“You son-of-a-bitch! I’m going to rip your balls off.”

“Really? That was my 35-yard place kick; you know I made field goals from 40 and 45 yards, too. Would you like me to demonstrate? I usually don’t like to kick a guy in the nuts, (there is something unmanly about it), but for a guy who likes to slap dames around, I will make an exception. So, Mr. Little are you going to leave my client alone?”

“No way! She tossed me aside. I was saving up for a ring. We could have been happy, next month I start with the Transit Authority, that is a real good job; it pays well, and we would have had a good life. I just don’t understand, why wasn’t that good enough, why wasn’t I good enough?”

“Get off the floor, Mr. Little and sit over there,” I say pointing to the couch, he groans, rises and sits gingerly on the couch.

“You got a hell of a kick mister. I guess this is where you tell me that if I don’t stop you will come back and show me that 40-yard kick, huh?”

I nod.

“You won’t have to come back, I got the message. Mister, would you give her a message?”

“What is it?”

“If it don’t work out for her, she can come back. Tell her, I‘m sorry I hit her and it won’t happen again. You are right; I was listening to a man on the corner from the Nation who said, “If you berate and beat your women you damage yourself,” he was right. Tell her mister, please.”

“Alright Mr. Little, good-bye.”

As I closed the door, I looked back, at the broken man sitting with his head in his hands. Like I said before, she was the kind of woman we needed to have love us, so, imagine the heartbreaking pain, to have her, and her love, and then lose it.


©2012, Author Leon Jackson Davenport
for ~ "THE SHADOWS OF OUR NOIR"
*AT THE BIJOU*


Photo Cred: Kate's Bar is really the Houndstooth Pub on 37th in NYC,
but hey, Kate so dug Leon dubbing her a bar, she picked one she liked.



LEON JACKSON DAVENPORT ~

Crime time author and all around good guy, but don't let that ruin his tough image. Leon's an Emmy nominated TV editor, fine art photographer and one of the booming voices you'll recall aboard this season's sailing of HARBINGER*33, manifesting authors' destinies. He's a smooth, wry storyteller who's gonna bring you back for another shot of this Gunn character . . . Watch for him where shadows come out to have their say.


That Leon, he don't say nothin' he don't mean, huh? And our Katie sure knows how to pick'em -- Youse writer-guys are aces in a stacked deck here AT THE BIJOU.

The Shadows
of Our Noir
 -- are runnin' fast as slick getaways on rainy nights you never saw comin'. 

Katie's gonna celebrate her national holiday, that birthday hoopla she does come Sunday, then she's cornered a bunch o'hoodlums that wrote with her in that crime-time book from hot shot Matt Hilton, you know, the bestseller, feller. What's it called again? Yeah, yeah ~ ACTION: PULSE POUNDING TALES. Catchy title Hilton. You're no slouch.

So Toots, brighten your peepers next for ~ 
Absolutely*Kate . . . Matt Hilton . . . 
Paul Brazill . . . Richard Godwin . . . 
with somethin' you never 'spected ~
David Barber turnin' noir to poetry.
 {Hey, I can't make this stuff up - Katie absolutely writes my lines anyhow). 


Be there or be square ~ 
*AT THE BIJOU*
"Where Writers' Raves are Readers' Faves"



Thursday, January 12, 2012

NOIR, AT THE BIJOU presents ~ "ONE FOR THE BOOKS" ~ By Salvatore Buttaci



O N E   F O R   T H E   B O O K S 
 
By ~ Salvatore Buttaci

Trying to keep both my eyes private, I let the nightmare I’m riding whinny in the gray fields of Dream Town. Nostrils flaring––mine or the mare’s?––I toss and turn till the damn phone in the real world punches holes in my sleep.

“Yeah,” says my cotton mouth.

“Crane, sorry about the time.”

You’ve been sorry before, Hotcakes.

“Your winning ticket’s dead.”

“Booth?”

“Booth. Dead as the proverbial doornail. One nasty hole through the temple.”

I scratch my forehead. Yawn.

“Hawkins gonna pay you a visit. He’ll want to know what you know about your client Booth. Which is pretty much nothing, so get your pants on.”

Walter Johnson Booth. President of Booth Industries. “Name your price, Mr. Crane.” That Booth. Only a week ago in my office he came to me looking grim. Desperate. I thought to myself, Okay, the Brooklyn Dodgers won their first World Series yesterday and he’s one pissed-off Yankees fan. I frame the smiling, game-winning pitcher Johnny Podres in my head and together we both toss back a scotch for Brooklyn. Then I give a quick look around at my dingy office, dress down my face into a scowl of disgust. The pastel-green peeling wall, the chipped desk, the very un-Persian rug fraying at our feet.

I throw a glance at Hotcakes, Betty-Grable gams crossed, dictation pad on her kneecaps. My price? What the hell.

“Thirty Big Ones, as in $30K’s,” I tell him. Maybe it’s the drink I toasted with Podres making me dumb-headed.

He ups the ante. “Forty, Mr. Crane,” then offers his hand to shake on it. I wait for that same hand to sign the check.

Booth walks to the door. “Find her,” he says without unlocking his stone jaw.

A week beating the bushes uncovering not even a hint of a rattler’s hiss and feeling damn guilty about the easy 40K, I get this wake-up call Booth is dead. Mrs. Crane––Ava Dell Crane––was still missing. Maybe at large. For a short second I miss the old days in the 40’s when I was Horvath Blatsmore, a Woolworth’s Five-and-Dime store manager in Hackensack, New Jersey. Bored to the bone. Hungry for the fireworks of a life on the edge. The cold-steel feel against my palm. But it was 1955 and the twinge of nostalgia was just that––a twinge. Horvath Blatsmore and I wave a mental goodbye in the Woolworth’s parking lot.

When the phone rings again minutes later, I pick it up. “Crane here.” I can hear someone breathing. “Crane here,” I repeat, then do a little breathing of my own as I inhale and exhale on my seventh Chesterfield of the new day.

I keep the phone plastered at my ear. If a private eye is anything, he’s patient. I hang in and wait. I light another from a nearly empty pack when I hear a voice soft as morning fog say, “I didn’t kill my husband.”

“Ava Dell,” I say without a question mark, like we’re old school chums from Hackensack High.

Now Booth’s widow sniffles back tears. Patience, Crane. Patience. Finally, in spurts and pauses, she lets it all out. “Mr. Crane, I know my husband hired you to track me down. He said if I ever ran off…Mr. Crane, my husband was a dreadful man!” Pause.

“Dreadful how?” I say, yanking us free of silence.

“Oh, he had money. Rockefeller? Walter could buy and sell ten Rockefellers! But I never saw a Mercury-dime of it. He paid me in black-and-blue. Bruises. All over me except where neighbors could see and wonder. Longer pause. “But they’ll fade. Someday.”

The gumshoe in me flashes “MOTIVE” in huge neon lights. Ava gets rid of Walter. No more beatings. Goodbye fear. A pocketbook the size of Fort Knox to help her forget.

Jump in, Crane. The water’s fine.

“Okay, you leave him. He hires me to find you and bring you back home. No luck there. Instead, you find me. Is that right, Mrs. Booth?”

Silence. Maybe Ava nods.

“Now the blue boys want answers. Who put the bullet in Booth’s head? Who was most likely to gain from a Booth stone-cold dead? Now I pause, then add, “Afraid that’d be you, Ava Dell.”

I return the dead receiver to its cradle. Case closed. Now Hawkins at the precinct can work his investigative magic, track down the elusive widow with a gun and give justice its due.

What the hell… Another round of rings. This time I wait for Mrs. Booth or Hotcakes or Hawkins to lead off. A little silence from me.

“Mr. Crane?”

“Don’t hang up on me again, Mrs. Booth. Where are you?” In my head I’ve been asking that question for a week now. “Where are you, Ava Dell? Make it easy for yourself.”

Outside my flat the morning sun pokes its yellow in between the blinds. The Irish fruit-and-vegetable vendor stands beside his truck and greets the new day with a hollering roll- call brogue of the new day’s specials. “Watermelons, peaches, Concord grapes, potatoes.”

“He was having an affair,” Mrs. Booth says, twice sidestepping my question of her whereabouts. “A big-eyed blond who wanted all his money.”

“How’s that?”

“I was hiding from Walter, but from her too. Me, dead, she marries him. Then Walter, dead, she gets it all.”

I’m confused. Booth paid me $40 G’s to find her. Why? So he can kill her?

“He wanted you back,” I tell her. “Could it be he loved you? I mean he paid me a bundle to…”

Ava Dell practically growls out, “They wanted me dead!”

“So why was your husband murdered? What you’re saying don’t make sense. Only you as his widow stood to rake in his millions. No contracts out there to say different. Come up with a scenario I can believe in.”

Ava Dell isn’t done. Now the two of us are puffing cigs into our mouthpieces. And speaking of mouthpieces, this dame was gonna need a damn good one.

“Maybe Walter missed beating up women,” Ava says. “Maybe his new punching bag wasn’t up to taking it, money or not.”

I scratch my forehead again. Lame-brain Crane. Where the hell was Hawkins?

We stop the chit-chat this time with quick goodbyes.

The phone’s gonna ring again, I convince myself. I frown and smile when it does.

“Crane.”

“Hawkins.”

“Yeah, I got the news already. Big Bucks Booth’s dead. The widow’s been calling me a few times since five this morning. We shot the bull. Says she ain’t the gun.”

“She’s not. We got witnesses. How easy this gonna be, Crane?

So Ava Dell was on the up and up. Brooklyn’s 66th Precinct wonder boy Burt Hawkins cleared her. He had the real deal down at headquarters.

“Who?”

“The killer?” Hawkins asks.

I nod.

“Booth’s new squeeze. Big-busted blond named Chrissy Lincoln.”

Crap this crazy never happened at Woolworth‘s. First the Dodgers upset the odds and take the Series from New York. Then my phone makes a play for most phone calls on a single Thursday in October for the Guinness Book of Records 1955. Now for the crowning kabosh: Lincoln shoots Booth! What the hell was next?

At last a quiet moment. A Chesterfield clamped between my lips, I think of the Bahamas. Bronze beauties strutting their assets on the hot sand. I think, “Crane, Private Eye” stenciled on the glass door of my new triple-sized office.

I tap the butt of my .38 Special sitting snug in my shoulder holster. It’s there to save my life. Then I reach into my side jacket pocket and run my fingers over my bank book, more than $40 Grand fat, and visions of sugarplums dance in my head.


© 2012  NOIR Author ~ SALVATORE BUTTACI
Cold crimes for  Jump-Jivin' January NOIR  AT THE BIJOU

     

JUST WHO IS THIS JUBILANT SALVATORE,
AND WHY DO WE READ HIM?

Salvatore Amico M. Buttaci is a retired English teacher who has been writing since childhood. By his own jovial admission, Sal's an obsessive-compulsive writer, whose work continues to proliferate widely. His first published work, an essay entitled “Presidential Timber,” appeared in the Sunday New York News when he was sixteen. Since then his poems, letters, short stories, and articles have been widely published in The New York Times, Newsday, U.S.A. Today, The Writer, Writer's Digest, The National Enquirer, Christian Science Monitor, Cats Magazine, Thinking Ten, Pen 10, Six Sentences and elsewhere in America and overseas. 

Buttaci is the former editor of New Worlds Unlimited, and of Poetidings, the newsletter of the New Jersey Poetry Society, Inc. Along those stanzas, Sal was the 2007 recipient of the $500 Cyber-Wit Poetry Award. He has lectured on Sicilian-American pride and conducts poetry workshops and readings. I salute Sal heartily as the finest 'Godfather of Authors' aboard the soon sailing HARBINGER*33, manifesting destinies. His spirit and encouragement is the stuff of legends and laughter. One can see the twinkle in Sal's eye come through just in how he scribes a note your way. Inspirationally, romantically and oh so enjoyably, our bountiful Buttaci lives in West Virginia with his sweetheart of a wife, Sharon.



Ms Sophia Loren 
backstage AT THE BIJOU
when she heard her great
paison Salvatore was
selling books, sexy.
“I think the quality of sexiness comes from within. It is something that is in you or it isn't and it really doesn't have much to do with breasts or thighs or the pout of your lips.” 
                          ~ Sophia Loren, knowing sex sells
 . . . wishing to soar Sal's sales

Not sure what you'll say, if you judge Sal's book by its cover but the bountiful Buttaci will come right up to you on the streetcorner and ask you, "Say, why haven't you bought my book yet?" 


You can't have Sal's pride without having Sal's sensational successes with the manner words move soul:

Sal's latest collection of short-short fiction, 200 Shorts, is available in book and Kindle editions at Amazon.
   
In 2001, Pudding House Publications included his work in the Greatest Hits Series with his chapbook, Greatest Hits: 1970-2000. Buttaci's book, A Family of Sicilians … is available, where else? 
At the ever enterprising Buttaci Publishing.


SAL'S INFLUENCES?
 
Three authors who made an impression on what he calls
The Buttaci Writing Style are ~ 

Ray Bradbury . . . Frederic Brown . . . Philip Jose Farmer



Ciao, grazie mille Salvatore!
Ti voglio bene ~

~ Absolutemente*Katrina
and our ritzy staff
 
 
AT THE BIJOU 
"Where Writers' Raves are Readers' Faves"

 THE BIG SLEEP IS WIDE AWAKE AT THE BIJOU

 BOGIE:   Baby, tell the kids to stick around 
 BACALL:   Stick around Kids.

 BOGIE:   I love when you mess around with the script.
 BACALL:   Imagination is the highest kite one can fly.

 BOGIE:   HERE'S LOOKIN' AT 
 NOIR, AT THE BIJOU 

   LINK delicious INFLUENCES of ~
                OUR NOIR AUTHORS' "JUST DESSERTS" ~


   LINKS TO OUR NOIR SO FAR ~
  
  






and Absolutely*Kate so far . . . . 


   NOIRTORIOUS COMING ATTRACTIONS ~ 
Every-other-day cold crimes . . . jump-jiving January's New*Year NEW NOIR


Paul Brazill ... Kevin J Mackey ... Leon Jackson Davenport

BR Stateham ... Fiona Johnson ... Jack Bates ...

Luca Veste, on the record OFF THE RECORD

 Julian Bramwell Slater ... Christina Vincent ... Charlie Wade ... 

Darren Sant ... Aidan Fritz ... Lily Childs ...  

Thomas Pluck and the Lost Children benefit show

New Year, new NOIR, Publisher BLASTED HEATH

editor John Kenyonpublisher of GRIFT magazine

with telling tales of GRIMM TALES' greats 

Rex Pickett picks a surprise ... 

plus . . . return of our pally, the great Randisi ... 

AT THE BIJOU'S Harry B Sanderford ... Matthew Magda ...  

plus intermittent intermission pizazz by masters of the ceremonious ~ 
Kevin MadDog Michaels and Absolutely*Kate ... 

Why ~ Who knows who's getting into the act? . . . 
RAYMOND CHANDLER may be channeled! 

  

ABSOLUTELY*KATE, BOGEY & PALLY PRODUCTIONS
Jump-Jivin' January's New Year, New NOIR AT THE BIJOU

Saturday, December 17, 2011

NOIR NOEL, AT THE BIJOU presents ~ ZELDA MARTIN ~ "DARK"

Hi Kate, you absolutely, hot patootie! I have officially given up trying to do some kind of officially “noir” story, since I know virtually nothing about detectives and/or crime scenes. I tried writing one in which I was a private eye. I got as far as this:
  
"It ain't easy being a female private eye. 
 Apparently, you have to have a dick, to be a dick."


It went downhill from there.

So . . . I’m just sending you this anecdote from my mostly unwritten autobiography. I was five years old at the time. Now, let me count the ways that this is a totally inappropriate submission for your “noir” series.

one ... two ... three ... four ... five ....


Absolutely*Kate replied: I'm nuttin' if I don't give vision to words when a spirit speaks ~ so sad, mad, eloquently. Thanks Zelda, for all you are ... puts me in awe when I'm in the presence of one who has 'overcome' . . . 



With gentle admiration, folks, 
*AT THE BIJOU* gifts you ~


    D  A  R  K    
  
~ by Zelda Martin 


It's dark. Daddy is driving us somewhere. Just he and I are in the car. "Where are we going, Daddy?" He is quiet. I am afraid. He stops the car in front of a strange house. Where are we? I want to go home. Where is Mommy? Where are my sisters? Daddy gets out of the car and then opens the door for me. He reaches into the back seat and pulls out a suitcase. He carries the suitcase in one hand and holds my hand with the other. We walk up a sidewalk to the front door of the strange house. I am frightened. It is hard to breathe. Daddy knocks on the door. The door opens and I see a strange woman. She and Daddy say something to each other, but I don't understand. We go in the house. We are in a long hallway that leads to another room. Daddy sets my suitcase down on the floor and turns to me. "Patsy, you're going to stay with this lady for a while. Her name is Mrs. Jones. Be a good girl." He gives me a quick hug and kiss and turns to go. I lunge for him and grab his leg. No, Daddy! I don't want to stay here. Take me with you! I wrap my short arms and legs around his long leg and cling to him as tightly as I can. I am crying. He peels me off of his leg and says I have to stay here. He sounds mad. Why is he mad at me? I want to go with him. I don't want to stay in this dark, strange house, with that dark, strange lady. Mrs. Jones steps toward us and grabs my arm, pulling me back toward her. She and Daddy say something to each other, and Daddy is gone. I look up at Mrs. Jones. She looks mean. She picks up my suitcase and carries it into the room at the end of the hall. She puts it down next to a bed. "This is where you'll sleep. Now get into bed and be quiet. I'll see you in the morning." She goes into another room and closes the door. I don't know what else to do, so I crawl into the bed, with my clothes on. I cry until I fall asleep.


© 2011 Author ~ Zelda Martin
Cold crimes for DECEMBER decking NOIR NOEL ~ AT THE BIJOU


ZELDA to KATE: I’m sorry if I made you sad. It’s true that I had a “difficult” childhood, but, as I often remind myself, it wasn’t anywhere near as bad as a lot of other kids had. And it has given me lots of material for depressing stories. See? There’s a bright side to everything.
 
Don’t worry about trying to put a light on “Dark.” It can remain in the shadows. I had just written it a little while ago, and didn’t know what to do with it. It was sweet of you to read it and share it with Matt.
 
Enthusiastic admiration to you, Kreative Kate. What you have done, in the creating of the various writing websites, is most remarkable!



AT THE BIJOU's 

N O I R  N O E L
SHINES the 
revealingSPOTLIGHT
on Madame Z, ZELDA MARTIN

For reasons known only to Santa,
Absolutely*Kate wonders ~


A*K: Zelda, 
what's the best Christmas gift
you ever received?


  Z~  When I was a little girl, it seemed that the only thing adults could think of to give a little girl for Christmas was a doll. I had no interest whatsoever in dolls, and never played with my growing collection of waxen-faced, glazed-eyed, lifeless hunks of rubber and/or stuffing. Every year, I asked for a “Doctor Kit,” to no avail. Finally, when I was ten years old, someone heeded my pleas, and I received the coolest doctor kit ever! I was ecstatic, and set about administering medical care to everyone in the family, whether they wanted or needed it, or not. The kit disappeared shortly thereafter.

A*K: Glad to learn you had the early healing touch, Z. What's the best you ever gave?
                                                                   
Z~ When I was seven years old, I gave my little sister, Marilyn, a mechanical pencil for Christmas. I really, really wanted a mechanical pencil, but no one ever gave me one. Marilyn was delighted when she opened the package and immediately set about scribbling all over the place and wearing down the eraser. I was horrified at this profligate use of the precious pencil, so I did what any sensible seven-year-old would do. I re-possessed it. Marilyn cried, but I did not relent. Mommy comforted her and said, “Zelda is a selfish brat.”

A*K: You can lead a horse to water Z, but a pencil must be lead. What / where / how does one gift more ZELDA MARTIN writing for greater holiday happiness in a world which needs a damn good grin? 


Z~
 Most of my writing is stored, unseen and unread, in my Word files! My blog is get-your-zs, but I have been neglecting it lately. There are some entertaining posts in there, but there are a lot of entertaining blogs in the blogosphere that few people read, because it’s so much easier to post something on facebook. The only things of mine that have been officially “published” on the Internet are at Angel Zapata's 5x5 site, Six Sentences, and Status Stories . . . oh, and AT THE BIJOU of course. I'm a regular. Say,do you remember the sensation I made with "CRACKLE" when Harry and Sugar and I did "SNAP"~"CRACKLE"~"POP"?

CRACKLE ~ By Zelda Martin of Harbinger*33


* CRACKLE *
By ~ Zelda Martin


I met him on the stairs. I was going down into the basement, as he was coming up. The stairs were narrow. We stopped, at an impasse. His head was level with my hips. He looked at my crotch before he looked at my face. I tried to say "Hi, Danny," but my voice was stuck in his eyes. Smokey green eyes, they were, topped with dark brown hair, surrounded with smooth olive skin. He reached out his hands, put one on each of my hips. An electric charge crackled across my groin. "Don't, Danny," I think I said, or maybe thought I should have said. But he did, and I did, and we did, and we did again. And then I heard someone else on the stairs, and I was almost sorry I had ever come down those stairs, or at least thought I should have been sorry.

Turns out I was sorry that I wrote the above paragraph, because Stanley came into the room while I was typing it, and asked to read my story.
  
"Who's Danny?" he asked testily. 
 
"Oh, no one. I just made him up. This is just a fantasy. 
 
"Really?" 
 
"Really!" 
 
"Okay.
 
He shuffled off to the kitchen; I could hear him making popcorn. He eats it without butter or salt. That's just one of the differences between him and me. He likes his popcorn and his life plain, unadorned, unflavored. And I like mine with lots of butter and salt, and sugar and honey, dripping with hot, juicy, melting, sticky stuff, at least I think I do, or would if I could, I think, but I don't actually know, because, so far, the condiments have been in depressingly short supply.
 


Danny could have flavored my life very nicely if I had let him. But I didn't, couldn't, wouldn't, because I was married, but I wanted to, oh so badly. He wasn't a fantasy. He was a real, live, hard-muscled, flat-bellied Adonis who had worked with me in the factory, a long time ago. Those green eyes of his were like warm probes, sliding over my body like butter melting on a hot skillet. Everything in that paragraph was true, right up to the electric surge part, anyway, but at that point, what really happened was that I grabbed my voice and used it to say, "Excuse me," and turned to let him pass me...


. . . And when he did, he pressed against me, slid his hard chest across my breasts, and then reached behind me and slowly ran his hands down my butt and gently squeezed my thighs . . .


 
Damn. There I go again. Another variation of the story with one beginning and a thousand endings. Oh well. Maybe it's better this way. I never get tired of him, nor he of me. Neither of us gets old and fat. He'll always have a flat belly and a stiff cock. 
 
The smell of popcorn fills the air. Geez. It even smells dry with no butter.


© 2010 Author ~ Zelda Martin
Triple 'Serial' Sensation ~ AT THE BIJOU


But Okay Kate. Here are some other links:

This one is my favorite blog post:
This links to Angel's 5 x 5 site.  
It has everyone's entries there, but

This was the only entry I made on posterous,

LOOK KATE! HARRY FOUND MY WORDS
 IN SIX SENTENCES:

Out of Sight, In My Mind

by Madam Z

I have too many secrets. The vault in which I keep them is stuffed with shameful scrip. They are old secrets, but they are in pristine condition, having been stored away in the air-tight, waterproof chamber. I am in constant fear that I may accidentally leave the door unlocked, or that age will erode the structural integrity of the heavy walls. What if I forget that those old secrets are to remain secret and I start babbling... opening the floodgates and revealing my disgraceful past, which continues to haunt me, even though I have turned my wretched life around? And then, worst of all... what if no one would care?

6S


And I'll be one of the 33 shining stars
 in HARBINGER*33, Kate. 

Right you are,
 Madame Z. Both the book and the ever-ongoing promotion is harbouring author-updates now. 
With your sassy Queen of the pirates spirit, your starboard side will be all about manifesting destiny.


 Thanks Zelda. You bring *zing* to just about everything. Do your song and dance now Toots, for our Noir crowd, will ya? You're centerstage ~ AT THE BIJOU. You're dressed rather slinky. I've introduced you and am handing you the mike. Tell our red-velvet seated audience what you wish them to remember about the author you see yourself being . . .


I see myself being undiscovered until after my death. One of my favorite fantasies is picturing someone going through the stacks of paper next to my desk and exclaiming, Omigod! This stuff is priceless! Why didn’t she get it published?


 Not gonna happen Z. They love ya when they read you and read into you. Will you share a secret deep inside that you've never told a full-fledged audience of readers and fellow classy authors in a ritzy theatre  . . . one where the single spot has you all a'glimmer?


ZELDA: I AM A SELFISH BRAT!



Well beloved brat, we still wish
 abundant good cheer to you,

 ATHE BIJOU  


Will you tuck a holiday gift under our stage-set tree


A wishprophecy to the world of us author'folks . . . 

It'll be up to us in the new year to see how it comes true. 


                                                                                                               ~ Absolutely*Kate
                                                                                                
Madam Z has peered into the palm of Griselda, the patron saint of writers, and she sees that Absolutely*Kate and all of her co-stars AT THE BIJOU will have a productive and satisfying year of writing stories and having their stories read by throngs of admirers. 







SIT DOWN SCHWEETHEART ~
SIT DOWN SCHWEETHEART ~ 
HERE'S LOOKIN' at  DECEMBER decking NOIR NOEL ~ AT THE BIJOU

   LINK DELICIOUS INFLUENCES OF ~

   LINKS TO OUR NOIR SO FAR ~
  
  



Matt Hilton . . .  Jeanette Cheezum ... Nigel Bird so far . . . . 


   NOIRTORIOUS COMING ATTRACTIONS ~ 
               Every other day cold crimes . . . decking NOIR NOEL into December

Ian Ayris ... Paul Brazill ... Kevin J Mackey ... 

Steven Miscandlon  ...  BR Stateham ... 

Luca Veste ... on the record 'bout OFF THE RECORD

Sal Buttaci ... Julian Bramwell Slater ...  

Helen Howell ...  Christina Vincent ... Charlie Wade ... 

Darren Sant ... Aidan Fritz ... Lily Childs ...  

Vic Watson ... Fiona Johnson ... Jack Bates ...

editor John Kenyon's reveal 

Thomas Pluck and the Lost Children benefit show

New Year challenge from new NOIR PublisherBLASTED HEATH

Rex Pickett picks a surprise ... 

plus . . . return of our pally, the great Randisi ... 


AT THE BIJOU'S Harry B Sanderford ... Matthew Magda ...  

plus return pizazz by our masters of the ceremonious ~ 
Kevin MadDog Michaels and Absolutely*Kate ... 

Why ~ Who knows who's getting into the act? . . . 
RAYMOND CHANDLER may be channeled! 

  

ABSOLUTELY*KATE, BOGEY & PALLY PRODUCTIONS
DECEMBER decks NOIR NOEL AT THE BIJOU